Effortless Mastery Liberating the Musician Within edition by Kenny Werner Arts Photography eBooks
Download As PDF : Effortless Mastery Liberating the Musician Within edition by Kenny Werner Arts Photography eBooks 
Effortless Mastery Liberating the Master Musician Within is a book for any musician who finds themselves having reached a plateau in their development. Werner, a masterful jazz pianist in his own right, uses his own life story and experiences to explore the barriers to creativity and mastery of music, and in the
process reveals that "Mastery is available to everyone," providing practical, detailed ways to move towards greater confidence and proficiency in any endeavor. While Werner is a musician, the concepts presented are for every profession or life-style where there is a need for free-flowing, effortless thinking. Book also includes an audio CD of meditations narrated by Kenny to help the musician reach a place of relaxed focus.
To download the meditation tracks - please go to http//kennywerner.com/effortless-mastery
Effortless Mastery Liberating the Musician Within edition by Kenny Werner Arts Photography eBooks
____________________________________________________Please do not read this book. Instead, I urge you to do this book. This is a book for your hands, not just your head.
This is a how-to book for the musician who wants to become a master musician. Obviously, you need to learn your instrument, learn techniques, repertoire, scales, chords, fingerings, all that–but mastery, as Kenny Werner sees it, is something else. Mastery is an attitude that affords you a fuller access to all the technical skills and knowledge you have painstakingly acquired over untold hours of practice. Mastery is an awareness that uses those technical tools to create a musical performance that feels more than merely competent, but seems to live and breathe. You have probably already played your instrument with mastery, at least for a few moments here and there, maybe for a few stanzas or a whole composition, maybe even for a whole evening or longer, when you astonished yourself with how brilliantly you were playing, how relaxed and confident you felt, how natural and inevitable the music sounded, and you went, “Oh yeah!! Now THIS is the real me!” And you were right; that is the real you. But then, frustratingly, it slipped away and your playing reverted back to “normal”: not as free, not as playful, not as real, more like work. And try as you might, you could never figure out how you got into that amazing groove in the first place, at least not with any consistency. You might slip into the groove from time to time when you are not expecting it, but then it eludes you when you really need it. This can torture a musician. It drives some of them to drink, or drugs–not in an attempt to “escape” reality, but in an attempt to find it. This book lays out a step-by-step approach designed to teach you how to find that groove at will instead of willy-nilly, as though you were at the mercy of a capricious “muse” or some such mystical nonsense. Mastery is a skill you can learn, not an unpredictable lightning strike.
Werner’s approach consists of a set of exercises whereby you cultivate a state of mind in which your body seems to play the instrument all by itself–hence the descriptor “effortless.” You look down at your fingers moving across your instrument and it actually does feel as though you are watching someone else play. The musician who has never experienced this effortless state will be quite sure the whole notion is pure fantasy or at least wishful exaggeration (or worse, some dissociative psychological disorder), but musicians who have experienced it can attest that it is very real, and worth developing if one only knew how. In reality, it is nothing supernatural, it is simply the unhindered human body doing what it does best (play an instrument, engage in an athletic activity, etc.) when left alone by the overbearing “ego-mind.” Some have called this effortless state “getting out of your own way.” It has lots of names: the zone, the groove, flow, self-actualization, peak performance, and over the centuries, many people have framed it in religious or spiritual terms. But even though it does indeed feel supernatural, it is arguably the most natural state a human can experience, though hardly the most common.
There is much practical wisdom sprinkled all through this book. Many sentences read like aphorisms, worthy of being posted on your studio wall as incisive reminders (e.g. “Play what you CAN play, not what you WISH you could play”). The book is worth reading just for the clear, elegant description of exactly what mastery even is. The exercises themselves are simple but not necessarily easy: they require concentration and diligence, and they may seem counterintuitive at first, even just plain wrong. You will be called upon to loosen your grip, at least temporarily, on some of the most sacred of sacred cows, such as “trying to sound good.” I cannot attest to the efficacy of Werner’s approach in gaining ultimate musical enlightenment, but just one session noticeably freed up my playing around a difficult passage that usually makes me tense my body in anticipation (“Uh-oh, here comes the hard part!”). The exercise helped me stay relaxed right on through the rocky spot and I actually executed it better.
And as mundane as it may sound, I think ninety percent of the “secret” to mastery is just that simple: relax. When your body is relaxed, and your mind is relaxed, you perform better, way better. Every athlete knows this. “Stay loose,” the coach exhorts the players before a game. Your response time is faster, your rhythm is more accurate, your awareness and aesthetic judgment are more free, everything just works better. You have much more control, and yet you seem less “controlling.” And not insignificantly you have more fun, and this comes through the music to the listener. Relaxation is key for instrumentalists, singers, athletes, actors, dancers, public speakers, anybody who performs a physical skill in real time. And yet as widely-known as this un-secret secret is, relaxing easier said than done. Most of us habitually tighten our muscles more than we need, often in subtle ways we are not even aware of–to the detriment of our playing. This is where the book really shines: Werner’s approach gives you a sense that you can control over your own ability to relax, with focus and alertness, when you need it most. Relaxation is a skill you can learn.
But what annoys me about this book is that Werner just can’t seem to resist the temptation to ladle a lot of New Age spiritual goop into the mix. “This joyful noise is the sound of the Supreme Being manifesting through us. If we surrender our desires, we will hear it.” Upon encountering a passage such as this, you might reflexively flip the book around and look at its cover to make sure you did not accidentally pick up your latest Deepak Chopra book but sadly, you did not. This streak of religio-babble wends its way through the book like a seam of coal in a gold mine. It keeps popping up, like that cheerfully pushy guy at a party who latches onto you and regales you with his opinions on reincarnation, over and over and over again. Oy. It’s not a fatal flaw, but it sure is annoying. I found myself skimming past whole pages, whole chapters, to get to the useful stuff, the actual method.
I have no doubt Werner honestly thinks his heartfelt sermonizing is a necessary part of learning how to play from that effortless state of mind. It is not. The effortless state does indeed feel transcendent but it is not supernatural or even particularly “spiritual,” it is just the normal subjective experience of a human being operating at full potential. Dragging religion into it is a gratuitous distraction. If I am reading a book about the science of meteorology, I really don’t care if the author thinks the Lord Jesus Christ is the master of the weather. I just want to learn the science. Werner should have stuck with the science. His tangents into pop theology do nothing to strengthen the central thesis of his book; on the contrary, they actually weaken it, except for the already-religious reader who would make this connection to God anyway. I wish Werner had trusted his readers enough to let us provide our own sense of cosmic significance.
But it’s worth overlooking this flaw because of the practical tools contained in the book. If you don’t like the New Age blather, just ignore it and keep reading–it soon passes. Eat the meat and spit out the bones. There’s plenty of meat in here.
For example, one exercise has you just sit there holding your instrument, feeling the instrument as a mere object, not even a musical instrument per se, just a physical chunk of matter devoid of any meaning or emotional content such as, “This is My Instrument, with which I will make my mark on the music world… I just hope I don’t mess up again…” All those self-involved, up-and-down, crazy-making fantasies we all entertain when we play–be honest now! You know you have them! This exercise can help you connect with your instrument on an elemental, physical level, free from a lot of the “relationship baggage” you may have developed with your instrument.
Another exercise is so simple yet so powerful: when you play, your only job is to LOVE the sound coming out of your instrument, right now. Don’t be critical of it; don’t listen to it with the thought of improving it; just listen and say, “This is the most gorgeous sound I have ever heard.” And mean it! This is something you will find you can do right now simply by focusing on it, and it can have an immediate positive effect on your playing.
So remember, these are exercises for you to DO, not just interesting concepts to think about. If you just read the book, nothing will change. But if you actually do the exercises, they will bring your awareness right into this sensory moment, where music actually lives.
Product details
|
Tags : Effortless Mastery: Liberating the Musician Within - Kindle edition by Kenny Werner. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading Effortless Mastery: Liberating the Musician Within.,ebook,Kenny Werner,Effortless Mastery: Liberating the Musician Within,Kenny Werner,MUSIC Instruction & Study General,SELF-HELP Personal Growth General
People also read other books :
- Emotion in Life Music A New Science M Zachary Johnson 9781530311958 Books
- Tactical Barbell II Conditioning eBook K Black
- Entre tu alma y la mia Spanish Edition Veronica Prado Mrv Editor Independiente 9781540398406 Books
- Fifty Shades Freed Book Three of the Fifty Shades Trilogy (Audible Audio Edition) E L James Becca Battoe Random House Audio Books
- The University of Oklahoma Sooners 2016 Calendar Perfect Timing 9781469326474 Books
Effortless Mastery Liberating the Musician Within edition by Kenny Werner Arts Photography eBooks Reviews
Because I was blown away by Victor Wooten's "The Music Lesson" suggested I might like this book. They were right. Not only is this author a prolific recording artist, band leader and composer, he is side-man to some other, world class artists as well. He knows what runs thru an artist's mind and how people behave and addresses it in this no-nonsense book, which also comes with a CD of meditations to help you implement some of what he's talking about in the text.What he's saying isn't new, he uses quotes from other great teachers, players and thinkers to illustrate his points. All of it is good and inspiring. I'm practicing more, thanks to Kenny.
There is some important material here, but unfortunately it is wrapped in a cloak of mysticism intended to awe the reader supposedly providing secret eastern knowledge to obtain musical nirvana. Really is a pity because the author has some very good points and ideas. It is no secret that relaxation, and mindful meditation practices are beneficial to performance, learning and quieting the spirit.
The core message of this book is very simple and certainly not new. It is summed up in the saying, "Practice doesn't make perfect. Perfect practice makes perfect." Perfect practice combined with increased concentration yield a greater awareness of what you are playing, and eventually, mastery.
Chapter 13 is where the first valuable information actually turns up in the book. A few more chapters after that but the majority is filler. The author makes a comment about eastern vs western teachers. Eastern teachers are masters. Western teachers are frequently not. Such a claim is strangely prophetic. Mr. Werner is clearly not a master of zen or eastern philosophy. Nearly everything he writes about it has the dialog, but neither the soul or the understanding. And that was the biggest detraction for me.
I'm keeping the book and will adopt some of the ideas to be found here. But far too much of the book was pseudo-intellectual nonsense IMO.
Buddhism teaches us that wanting or desire is the cause of evil, and Zen teaches that unrestrained pursuit lies at the root of our troubles. It seems natural then, that musicianship should be a fruitful field in which to apply zen buddhism. After all, physical exertion is rarely helpful when attempting to play better music, and as Kenny Werner illustrates in Effortless Mastery, it can be counterproductive. He applies zen principles to musicianship, where the primary message is you have a good musician inside yourself, who will emerge if you remove obstacles that are constructed when you try too hard. In other words, get out of your own way.
Werner approaches the paradox that is zen in a practical way. How do you achieve your goals without striving for them? He doesn't advocate eliminating goals. Instead he finds productive ways to achieve them while avoiding the pitfalls that come from exerting the wrong kind of effort.
While primarily geared toward the improvising musician, his principles can also be applied when trying to master previously written music. He walks a fine line between the practicality of improving one's musicianship and the new age thought that may turn off many readers, but he successfully reaches a balance by consistently focusing on the needs of the musician and providing genuinely useful advice.
____________________________________________________
Please do not read this book. Instead, I urge you to do this book. This is a book for your hands, not just your head.
This is a how-to book for the musician who wants to become a master musician. Obviously, you need to learn your instrument, learn techniques, repertoire, scales, chords, fingerings, all that–but mastery, as Kenny Werner sees it, is something else. Mastery is an attitude that affords you a fuller access to all the technical skills and knowledge you have painstakingly acquired over untold hours of practice. Mastery is an awareness that uses those technical tools to create a musical performance that feels more than merely competent, but seems to live and breathe. You have probably already played your instrument with mastery, at least for a few moments here and there, maybe for a few stanzas or a whole composition, maybe even for a whole evening or longer, when you astonished yourself with how brilliantly you were playing, how relaxed and confident you felt, how natural and inevitable the music sounded, and you went, “Oh yeah!! Now THIS is the real me!” And you were right; that is the real you. But then, frustratingly, it slipped away and your playing reverted back to “normal” not as free, not as playful, not as real, more like work. And try as you might, you could never figure out how you got into that amazing groove in the first place, at least not with any consistency. You might slip into the groove from time to time when you are not expecting it, but then it eludes you when you really need it. This can torture a musician. It drives some of them to drink, or drugs–not in an attempt to “escape” reality, but in an attempt to find it. This book lays out a step-by-step approach designed to teach you how to find that groove at will instead of willy-nilly, as though you were at the mercy of a capricious “muse” or some such mystical nonsense. Mastery is a skill you can learn, not an unpredictable lightning strike.
Werner’s approach consists of a set of exercises whereby you cultivate a state of mind in which your body seems to play the instrument all by itself–hence the descriptor “effortless.” You look down at your fingers moving across your instrument and it actually does feel as though you are watching someone else play. The musician who has never experienced this effortless state will be quite sure the whole notion is pure fantasy or at least wishful exaggeration (or worse, some dissociative psychological disorder), but musicians who have experienced it can attest that it is very real, and worth developing if one only knew how. In reality, it is nothing supernatural, it is simply the unhindered human body doing what it does best (play an instrument, engage in an athletic activity, etc.) when left alone by the overbearing “ego-mind.” Some have called this effortless state “getting out of your own way.” It has lots of names the zone, the groove, flow, self-actualization, peak performance, and over the centuries, many people have framed it in religious or spiritual terms. But even though it does indeed feel supernatural, it is arguably the most natural state a human can experience, though hardly the most common.
There is much practical wisdom sprinkled all through this book. Many sentences read like aphorisms, worthy of being posted on your studio wall as incisive reminders (e.g. “Play what you CAN play, not what you WISH you could play”). The book is worth reading just for the clear, elegant description of exactly what mastery even is. The exercises themselves are simple but not necessarily easy they require concentration and diligence, and they may seem counterintuitive at first, even just plain wrong. You will be called upon to loosen your grip, at least temporarily, on some of the most sacred of sacred cows, such as “trying to sound good.” I cannot attest to the efficacy of Werner’s approach in gaining ultimate musical enlightenment, but just one session noticeably freed up my playing around a difficult passage that usually makes me tense my body in anticipation (“Uh-oh, here comes the hard part!”). The exercise helped me stay relaxed right on through the rocky spot and I actually executed it better.
And as mundane as it may sound, I think ninety percent of the “secret” to mastery is just that simple relax. When your body is relaxed, and your mind is relaxed, you perform better, way better. Every athlete knows this. “Stay loose,” the coach exhorts the players before a game. Your response time is faster, your rhythm is more accurate, your awareness and aesthetic judgment are more free, everything just works better. You have much more control, and yet you seem less “controlling.” And not insignificantly you have more fun, and this comes through the music to the listener. Relaxation is key for instrumentalists, singers, athletes, actors, dancers, public speakers, anybody who performs a physical skill in real time. And yet as widely-known as this un-secret secret is, relaxing easier said than done. Most of us habitually tighten our muscles more than we need, often in subtle ways we are not even aware of–to the detriment of our playing. This is where the book really shines Werner’s approach gives you a sense that you can control over your own ability to relax, with focus and alertness, when you need it most. Relaxation is a skill you can learn.
But what annoys me about this book is that Werner just can’t seem to resist the temptation to ladle a lot of New Age spiritual goop into the mix. “This joyful noise is the sound of the Supreme Being manifesting through us. If we surrender our desires, we will hear it.” Upon encountering a passage such as this, you might reflexively flip the book around and look at its cover to make sure you did not accidentally pick up your latest Deepak Chopra book but sadly, you did not. This streak of religio-babble wends its way through the book like a seam of coal in a gold mine. It keeps popping up, like that cheerfully pushy guy at a party who latches onto you and regales you with his opinions on reincarnation, over and over and over again. Oy. It’s not a fatal flaw, but it sure is annoying. I found myself skimming past whole pages, whole chapters, to get to the useful stuff, the actual method.
I have no doubt Werner honestly thinks his heartfelt sermonizing is a necessary part of learning how to play from that effortless state of mind. It is not. The effortless state does indeed feel transcendent but it is not supernatural or even particularly “spiritual,” it is just the normal subjective experience of a human being operating at full potential. Dragging religion into it is a gratuitous distraction. If I am reading a book about the science of meteorology, I really don’t care if the author thinks the Lord Jesus Christ is the master of the weather. I just want to learn the science. Werner should have stuck with the science. His tangents into pop theology do nothing to strengthen the central thesis of his book; on the contrary, they actually weaken it, except for the already-religious reader who would make this connection to God anyway. I wish Werner had trusted his readers enough to let us provide our own sense of cosmic significance.
But it’s worth overlooking this flaw because of the practical tools contained in the book. If you don’t like the New Age blather, just ignore it and keep reading–it soon passes. Eat the meat and spit out the bones. There’s plenty of meat in here.
For example, one exercise has you just sit there holding your instrument, feeling the instrument as a mere object, not even a musical instrument per se, just a physical chunk of matter devoid of any meaning or emotional content such as, “This is My Instrument, with which I will make my mark on the music world… I just hope I don’t mess up again…” All those self-involved, up-and-down, crazy-making fantasies we all entertain when we play–be honest now! You know you have them! This exercise can help you connect with your instrument on an elemental, physical level, free from a lot of the “relationship baggage” you may have developed with your instrument.
Another exercise is so simple yet so powerful when you play, your only job is to LOVE the sound coming out of your instrument, right now. Don’t be critical of it; don’t listen to it with the thought of improving it; just listen and say, “This is the most gorgeous sound I have ever heard.” And mean it! This is something you will find you can do right now simply by focusing on it, and it can have an immediate positive effect on your playing.
So remember, these are exercises for you to DO, not just interesting concepts to think about. If you just read the book, nothing will change. But if you actually do the exercises, they will bring your awareness right into this sensory moment, where music actually lives.
0 Response to "∎ PDF Effortless Mastery Liberating the Musician Within edition by Kenny Werner Arts Photography eBooks"
Post a Comment